Bassem Saad is an artist and writer born in Beirut. Her work explores notions of historical rupture, spontaneity, and surplus, through film, performance, and sculpture, alongside essays and fiction. With an emphasis on past and present forms of struggle, she attempts to place scenes of intersubjective exchange within their world-historical frames. 

Bassem’s work has been presented and screened at MoMA, CPH:DOX, Triangle-Asterides (Marseille), Busan Biennale, Swiss Institute (Rome), Ludwig Forum (Aachen), Cabaret Voltaire (Zurich), and Transmediale. Her most recent film, Congress of Idling Persons, received Special Mention in the New:Vision Award category at CPH:DOX 2022.  

Bassems writing appears in The New Inquiry, Protean, Spike Art, Jadaliyya, FailedArchitecture, X-TRA, and The Funambulist. 

For more information, you can visit the website: Bassem Saad