1.0NW Aalsthttps://nw-aalst.be/en/rich600338<blockquote class="wp-embedded-content" data-secret="s8zlGoJp9R"><a href="https://nw-aalst.be/en/event/tranche-de-vie/">Tranche de Vie</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://nw-aalst.be/en/event/tranche-de-vie/embed/#?secret=s8zlGoJp9R" width="600" height="338" title="“Tranche de Vie” — NW Aalst" data-secret="s8zlGoJp9R" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://nw-aalst.be/wp-includes/js/wp-embed.min.js </script> https://nw-aalst.be/wp-content/uploads/2023/01/3984.jpg800384In Mette Edvardsen’s solo performance, Black, the space is empty. Edvardsen explores time and space where only the body is physically present. By dancing with invisible objects the performer attempts to bridge the vast chasm between thought and experience. During L’inconnu, the exhibition by Nikolaas Demoen, the debut issue of Posture editions will be released. […]