{"version":"1.0","provider_name":"NW Aalst","provider_url":"https:\/\/nw-aalst.be\/en\/","title":"Rapture - NW Aalst","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"CjxtyBqmTM\"><a href=\"https:\/\/nw-aalst.be\/en\/film\/rapture\/\">Rapture<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/nw-aalst.be\/en\/film\/rapture\/embed\/#?secret=CjxtyBqmTM\" width=\"600\" height=\"338\" title=\"&#8220;Rapture&#8221; &#8212; NW Aalst\" data-secret=\"CjxtyBqmTM\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/nw-aalst.be\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/nw-aalst.be\/wp-content\/uploads\/2026\/02\/arrebato1.webp","thumbnail_width":1920,"thumbnail_height":1080,"description":"Together\u00a0with\u00a0the\u00a0OFFscreen\u00a0Film Festival, we are screening Iv\u00e1n\u00a0Zulueta&#8217;s\u00a0Spanish cult classic\u00a0Arrebato.\u00a0OFFscreen\u00a0is Brussels&#8217; high\u00a0mass\u00a0for\u00a0cinema off\u00a0the\u00a0beaten\u00a0path\u2014from\u00a0cult classics\u00a0to\u00a0contemporary\u00a0genre gems\u00a0and\u00a0artistic\u00a0cinema\u00a0that\u00a0moves\u00a0outside\u00a0the\u00a0mainstream.\u00a0\u00a0 This\u00a0year,\u00a0OFFscreen\u00a0is\u00a0looking\u00a0at Spain\u00a0and\u00a0all\u00a0the\u00a0beauty\u00a0that\u00a0moves\u00a0just\u00a0below\u00a0the\u00a0radar\u00a0there.\u00a0Together\u00a0we are\u00a0showing\u00a0Arrebato,\u00a0the\u00a0first\u00a0and\u00a0last feature film\u00a0by\u00a0Iv\u00e1n\u00a0Zulueta\u00a0(1943\u20132009). The film is\u00a0considered\u00a0the\u00a0most\u00a0ambitious\u00a0and\u00a0personal\u00a0work\u00a0in his oeuvre: a kind of\u00a0self-portrait\u00a0in\u00a0the\u00a0form of a\u00a0vampiric\u00a0film\u00a0about\u00a0addiction, cinema,\u00a0and\u00a0self-loss.\u00a0Zulueta\u00a0was a cult\u00a0figure\u00a0of\u00a0the\u00a0Spanish underground\u00a0and\u00a0a\u00a0key\u00a0figure\u00a0in La\u00a0Movida\u00a0Madrile\u00f1a,\u00a0the\u00a0explosion\u00a0of\u00a0artistic\u00a0freedom\u00a0in post-Franco Spain. He\u00a0worked\u00a0mainly\u00a0outside\u00a0the\u00a0commercial circuit,\u00a0with\u00a0Super-8\u00a0and\u00a016mm,\u00a0and\u00a0made films\u00a0that\u00a0balance\u00a0experimental\u00a0cinema, pop culture, found\u00a0footage,\u00a0and\u00a0personal\u00a0obsession.\u00a0Zulueta&#8217;s\u00a0own\u00a0struggle\u00a0with\u00a0heroin\u00a0and\u00a0his\u00a0fascination\u00a0with\u00a0image\u00a0and\u00a0time are\u00a0deeply\u00a0etched\u00a0into\u00a0the\u00a0film,\u00a0giving\u00a0Arrebatodie\u00a0the\u00a0rare\u00a0intensity\u00a0of a\u00a0work\u00a0that\u00a0is\u00a0not\u00a0only\u00a0about\u00a0obsession, but\u00a0also\u00a0driven\u00a0by\u00a0it.\u00a0\u00a0 In\u00a0Madrid&#8217;s\u00a0underground scene, we follow Jos\u00e9\u00a0Sirgado, a B-horror director\u00a0trapped\u00a0in a web of\u00a0heroin,\u00a0failed\u00a0relationships,\u00a0and\u00a0creative\u00a0exhaustion. [&hellip;]"}